This gallery contains full and detail views of a QR code pointing to this site. This was one of my first successful QR code paintings. After getting the code, I used a Sharpie to draw alternating diagonal lines where the dark squares should be. The remaining light squares were painted orange with acrylic paint. This alone wasn’t high enough contrast, so I added purple tissue paper squares over the purple stripes and white paint over the orange squares.
Take a picture of the screen to see it in action. See you in a minute.
If it’s not obvious, this is a time lapse video of me constructing a QR code which links to a video of me constructing a QR code which links to a video of me constructing a QR code which links to a video of… you get the idea.
To photograph, I used a Nikon D200 and a timer. The photos were then dumped in Windows Live Movie Maker and the video was uploaded to Vimeo. Here is my favorite QR code generator.
Normal 80s kids had Legos. My brother and I had Construx. I had the Space Series stuff that glowed in the dark, and Jerry had the purple Alien stuff. It didn’t seem odd at the time, but since he had two of these figures, he named one Alien and the other Martian. This painting serves as a monument to the days before our minds were clouded with things such as sub-classes and parent categories.
The text(?) below the portraits are from 2 different decals (and yes, I know that one is just the other upside-down) from the Battlestrike set. I like to believe one reads martian and the other alien.
The painting was done on a board covered in old Construx instructions, which peek through here and there. Other media used were ink, tempera, and watercolor.
These puppets are some of the creatures featured in The Carnival of the Animals by Camille Saint-Saëns. They are rod puppets which double as shadow puppets, and are made with pieces of recycled magazines and cardboard.